In this book Professor Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. This large historical argument is developed through monographic chapters on the poets which include close readings of their major poems. Comprehensive in scope and subtle in its analysis, Gelpi's book promises to be one of the major studies of American poetry for years to come.
Über den Autor Albert Gelpi
Albert Gelpi is Professor Emeritus of American Literature at Stanford University, California. His previous books include Emily Dickinson: The Mind of the Poet (1971), The Tenth Muse (Cambridge, 1991), and A Coherent Splendor (Cambridge, 1988). Gelpi has also edited the work of, and written criticism on, a wide range of poets, including Wallace Stevens, Robinson Jeffers, Adrienne Rich, Denise Levertov, Robert Duncan, and William Everson. The Letters of Robert Duncan and Denise Levertov (2003), co-edited with Robert Bertholf, won an award from the MLA as the best scholarly edition of a literary correspondence. Gelpi continues to teach in the Stanford Continuing Studies Program.