New York's repertory movie houses specialized in presenting films ignored by mainstream and art house audiences. Curating vintage and undistributed movies from various countries, they educated the public about the art of film at a time when the cinema had begun to be respected as an art form. Operating on shoestring budgets in funky settings, each repertory house had its own personality, reflecting the preferences of the (often eccentric) proprietor. While a few theaters existed in other cities, New York offered the greatest number and variety. Focusing on the active years from 1960 through 1994, this book documents the repertory movement in the context of economics and film culture.
Über den Autor Ben Davis
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Ben Davis went from morbidly obese and depressed to healthy and happy. He has lost 120 pounds, run eight marathons, completed two Ironmans, and gone from a miserable recluse to a motivational speaker. He has dozens of medals and has met thousand of amazing people along the way.
