British Science Fiction Film and Television von Tobias (Hrsg.) Hochscherf

Critical Essays
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ISBN: 978-0-7864-4621-6
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Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context. Essay topics include Hammer science fiction films, the various incarnations of Doctor Who, Stanley Kubrick's A Clockwork Orange, and such 21st-century productions as 28 Days Later and Torchwood.

Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context. Essay topics include Hammer science fiction films, the various incarnations of Doctor Who, Stanley Kubrick's A Clockwork Orange, and such 21st-century productions as 28 Days Later and Torchwood.

AutorHochscherf, Tobias (Hrsg.) / Leggott, James (Hrsg.) / Palumbo, Donald E. (Hrsg.)
EinbandKartonierter Einband (Kt)
Erscheinungsjahr2011
Seitenangabe238 S.
LieferstatusFolgt in ca. 10 Arbeitstagen
AusgabekennzeichenEnglisch
AbbildungenPaperback
MasseH22.9 cm x B15.2 cm x D1.4 cm 393 g
ReiheCritical Explorations in Science Fiction and Fantasy
VerlagMcFarland

Alle Bände der Reihe "Critical Explorations in Science Fiction and Fantasy"

Über den Autor Tobias (Hrsg.) Hochscherf

Tobias Hochscherf is Professor of Audio-Visual Media at the University of Applied Sciences at Kiel, Germany. His research interests focus on European film and television cultures. He is author of The Continental Connection: German-speaking Émigrés and British Cinema, 1927-45 (Manchester UP, 2011) and has published widely in academic journals and edited collections.

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